Installed in a corner of its own gallery space, the image of a dancer vanishes from the vaguely defined visual space – he seems to be in a clash, to the point of exhaustion, with the camera’s gaze. This action happens over and over again. In the intervals he waits quietly, his face to the wall. The moving-image content is constructed from documentation – rehearsal footage which has been altered, processed and subsequently set to new music: ‘I wanted to create a new space for a body that would be reconstructed out of the footage I filmed in rehearsal. My idea was to have someone starting all over again, in a way lost somewhere in a building. This piece is maybe about dislocation – a body who has been transformed into another time and soundscape’ (von Wedemeyer).

The work is choreographed and danced by Alexandre Roccoli, the sound score is by Thomas Wallmann.